剧情介绍

　　Adam is a teenage artist coming of age in the aftermath of an alien takeover. The Vuvv, a species of hyper-intelligent extraterrestrials, brought wondrous technology to earth, but only the wealthiest can afford it. The rest of humanity, their livelihoods now obsolete, have to scrape together money in the tourism industry. In the case of Adam and his budding love interest Chloe, that means livestreaming their courtship for the amusement of the coffee-table sized Vuvv, who find human love exotic and interesting. When Adam and Chloe's scheme goes sideways, Adam and his mother have to find their way out of an increasingly nightmarish alien bureaucracy. 　　Writer-director Cory Finley (Thoroughbreds, 2017 Sundance Film Festival) returns to Park City with this brazenly original sci-fi trip that features a breakout performance by Asante Blackk. Based on the novel by National Book Award winner M.T. Anderson, the film carefully threads its comedic fantasies with a morose sensibility that sends audiences on a probing exploration of class and commerce. 　　源自：https://festival.sundance.org/program/film/638a1ab4d406b2ca50f2d5e5

　　Adam is a teenage artist coming of age in the aftermath of an alien takeover. The Vuvv, a species of hyper-intelligent extraterrestrials, brought wondrous technology to earth, but only the wealthiest can afford it. The rest of humanity, their livelihoods now obsole... 显示全部

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影片评价

Caricature of capitalism and colonialism

Cory Finley的第三部长片，一个古怪、尽是不着调幽默、带点奇想的故事；开发宣布的时候很有兴趣，并且对Asante Blackk能担正有所期待。但故事在抛出如《黑镜》/《阴阳魔界》单集够用的设定后，很快陷于一种莫名的自说自话；如同当中的外星Vuvv，在寡淡的展开里望不到任何有趣的东西。它想做YA，又想做时事评论，更或是纯粹的科幻；但什么都不沾。视像风格莫名会想起TBS那部被砍了十足可惜的《第...

好优秀！

刚开始以为是反向的《被光抓走的人》，结果最后变成了《俘虏国度》。影片开始让白人像《寄生虫》般住进了黑人的地下室，然后开始“直播”青少年转瞬即逝的爱情，接着又走向了《登堂入室》进程，外星人在人类娱乐文化的侵染中变成了彻头彻尾的父权（这点是《芭比》略过去的东西），然后创作涂鸦被宣传机器树立为典型，在母舰觉醒之后回到地球，在黑夜里的微光中继续创作来进行反抗，对了！千万别忘一件事，那就是反抗！！！